By Héctor Angulo, Carlos Fariñas, Harold Gramatges, Edgardo Martín, Leo Brouwer y José Ardevol
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On the grounds that its first e-book in 1990, Brahms and His global has turn into a key textual content for listeners, performers, and students attracted to the lifestyles, paintings, and instances of 1 of the 19th century's such a lot celebrated composers. during this considerably revised and enlarged variation, the editors stay with regards to the imaginative and prescient in the back of the unique publication whereas updating its contents to mirror new views on Brahms that experience built over the last twenty years.
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Like Ariadne, then? Yes, like her I want to ﬁnd a way through the maze, leaving a thread behind. ”1 In seeking such a perspicuous view, however, I do not aspire to neutrality. On the contrary, I believe that decisions about methodology have ethical and political consequences, so that it is urgent to take responsibility for one’s positions, to choose among competing values, and to act. But I feel that our options today are severely constrained by the potential of binary oppositions to structure the ﬁeld of choices in advance, trapping us in false dichotomies.
Rather than ignore intentionality, however, I want to recognize what Barbara Johnson calls “the functioning of many diﬀerent, sometimes incommensurable kinds of intentionality”31 that result from language exceeding an individual’s control. I regard the eﬀorts of musical research as cultural texts, embedded in social and historical contexts, and thus as having a collective component. Scholars may hesitate to view their work in this way, preferring to consider their ideas wholly their own, the product of their free choices.
A trope is a departure from literal usage that substitutes one word for another, as when I call a coward a chicken. White extends this concept, however, to deal with entire discourses, so that one can think in one or another tropological mode. Metaphor, for instance, is the trope that compares two diﬀerent things, A ϭ B, coward ϭ chicken. Thinking in the mode of metaphor involves searching for resemblances among diﬀerent phenomena. ”27 Herman discusses several thinkers who have contributed to such a project, including Derrida and Gilles Deleuze and Félix Guattari.