By Lucy Fischer, Angela Dalle Vacche, Jennifer M. Bean, Sumiko Higashi, Professor Michael Aronson, Professor Mark Anderson, Professor Sara Ross, Professor Gwenda Young, Professor Maureen Turim, Marcia Landy
In ten unique essays, American Cinema of the 1920s examines the movie industry's persevered development and prosperity whereas concentrating on very important topics of the era.
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Additional resources for American Cinema of the 1920s: Themes and Variations
Al Jolson”) While Jolson was busy stumping for the future president, others in Hollywood were busy furthering their own prospects. In that busy ﬁrst week of January, Marcus Loew, “hitherto concerned only with [movie] theatre management,” would acquire, for around $3 million, total ownership of Metro Pictures Corporation, “and so make his entry into the ﬁeld of picture producing” (“Marcus”). Loew’s purchase of this company, and its accompanying national exchange system, was a function of two major economic trends occurring within the still-developing industry, “the entry on a large scale of Wall St.
The ﬁlm’s heroine feels trapped by her conventional role and, when her husband becomes disabled, she takes a job as a saleswoman in a department store and he stays home to mind the children. Based on a notorious murder case from 1922, The Goose Woman tells the tale of a has-been opera singer who witnesses a homicide and is transformed by the prosecuting attorney into a respectable matron so that she will be more impressive at trial—a feat accomplished thanks to the acquisition of plentiful consumer goods.
Rudolph Valentino). The narrative concerns the fate of a wealthy émigré princess living in America and her melodramatic amorous entanglements. ” In Pollyanna, Mary Pickford incarnates her established role as “little Mary,” despite being twenty-six at the time. As the title indicates, she plays a perennially optimistic girl who, though paralyzed, triumphs merrily over adversity. Suds (which ran in Coshocton, Ohio) gives Pickford a chance at a less sunny role as Amanda, a London laundress whose dreams of being saved by an imaginary Prince Charming come to naught.